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| Controversial. |
I'll be talking at a couple of events over the next month:
23rd May, London: Sonic Radicalism Seminar
Centre for Cultural Studies Research
School of Arts and Digital Industries
University of East London
School of Arts and Digital Industries
University of East London
Presents
Music, Politics and Agency Seminar 3: Sonic Radicalism
May 23rd 2012
13:00-17:00
University of East London, Docklands Campus
Room EB.1.03 (directions below)
Can sound subvert? Thinkers since Plato have assumed that it can, that social form and musical form are intrinsically linked, resonant, or pre-figurative of each other. In this seminar, leading and innovative thinkers will interrogate and explore these claims and their implications.
Speakers and Papers:
Adam Harper
Musical Radicalism Beyond the Sonic
Adam Harper is a music critic, music theorist and author of Infinite Music: Imagining the Next Millennium of Human Music-Making (Zero Books), which argues for a contemporary reappraisal of modernist aesthetics and offers a system for understanding musical creativity, as well as pamphlets on the future of music and underground pop music for the Glasgow Centre for Contemporary Arts and Precinct respectively. He is a PhD candidate, tutor and teacher at the University of Oxford, writes regularly for Wire and Dummy magazines and blogs at Rouge's Foam.
Matthew Pritchard
'Cornelius Castoriadis: Music and the Radical Imagination'
Matthew Pritchard is British Academy Postdoctoral Fellow at the Music Faculty, University of Cambridge. His work centres on the history of music theory and aesthetics in the nineteenth and early twentieth century, addressing such topics as the role of the musical motive as vehicle for metaphorical imagination and negotiation, the political origins of modern music analysis, and the social organization of music-aesthetic discourse. "Who killed the concert? Heinrich Besseler and the inter-war politics of Gebrauchsmusik" recently appeared, with an accompanying translation of Besseler's 1925 essay "Fundamentals of Musical Listening", in the journal /twentieth-century music/.
Dhanveer Singh Brar
"The whites have become black" - grime, blackness and pathology
Dhanveer is a PhD candidate in Media and Communications at Goldsmiths College. His research focuses on black radicalism and its obscured manifestation through phonic substance. He has taught at Goldsmiths College, University of East London and Central St Martins College of Art. Dhanveer is also a member of the University for Strategic Optimism.
Respondent - Jason Toynbee
Jason Toynbee teaches in the Sociology Department at The Open University. At the moment he's researching and writing about music and cosmopolitanism, and also trying to work out how far music has taken on an ideological role under neo-liberalism. HIs books include Making Popular Music: Musicians, Aesthetics and the Manufacture of Popular Music (Bloomsbury Academic, 2000) and Bob Marley: Herald of a Postcolonial World? (Polity 2007)
Chair - Jeremy Gilbert, UEL
All Welcome - No need to register
Room EB.1.03 is on the first floor, main building: turn left from main square when entering the square from Cyprus station.
Cyprus DLR (Docklands Light Railway) station is literally situated at the campus.
To plan your journey to Cyprus station, seehttp://journeyplanner.tfl.
Please allow time for possible transport delays and for finding your way around the campus.
For any further details contact j.gilbert@uel.ac.uk
13:00-17:00
University of East London, Docklands Campus
Room EB.1.03 (directions below)
Can sound subvert? Thinkers since Plato have assumed that it can, that social form and musical form are intrinsically linked, resonant, or pre-figurative of each other. In this seminar, leading and innovative thinkers will interrogate and explore these claims and their implications.
Speakers and Papers:
Adam Harper
Musical Radicalism Beyond the Sonic
Adam Harper is a music critic, music theorist and author of Infinite Music: Imagining the Next Millennium of Human Music-Making (Zero Books), which argues for a contemporary reappraisal of modernist aesthetics and offers a system for understanding musical creativity, as well as pamphlets on the future of music and underground pop music for the Glasgow Centre for Contemporary Arts and Precinct respectively. He is a PhD candidate, tutor and teacher at the University of Oxford, writes regularly for Wire and Dummy magazines and blogs at Rouge's Foam.
Matthew Pritchard
'Cornelius Castoriadis: Music and the Radical Imagination'
Matthew Pritchard is British Academy Postdoctoral Fellow at the Music Faculty, University of Cambridge. His work centres on the history of music theory and aesthetics in the nineteenth and early twentieth century, addressing such topics as the role of the musical motive as vehicle for metaphorical imagination and negotiation, the political origins of modern music analysis, and the social organization of music-aesthetic discourse. "Who killed the concert? Heinrich Besseler and the inter-war politics of Gebrauchsmusik" recently appeared, with an accompanying translation of Besseler's 1925 essay "Fundamentals of Musical Listening", in the journal /twentieth-century music/.
Dhanveer Singh Brar
"The whites have become black" - grime, blackness and pathology
Dhanveer is a PhD candidate in Media and Communications at Goldsmiths College. His research focuses on black radicalism and its obscured manifestation through phonic substance. He has taught at Goldsmiths College, University of East London and Central St Martins College of Art. Dhanveer is also a member of the University for Strategic Optimism.
Respondent - Jason Toynbee
Jason Toynbee teaches in the Sociology Department at The Open University. At the moment he's researching and writing about music and cosmopolitanism, and also trying to work out how far music has taken on an ideological role under neo-liberalism. HIs books include Making Popular Music: Musicians, Aesthetics and the Manufacture of Popular Music (Bloomsbury Academic, 2000) and Bob Marley: Herald of a Postcolonial World? (Polity 2007)
Chair - Jeremy Gilbert, UEL
All Welcome - No need to register
Room EB.1.03 is on the first floor, main building: turn left from main square when entering the square from Cyprus station.
Cyprus DLR (Docklands Light Railway) station is literally situated at the campus.
To plan your journey to Cyprus station, seehttp://journeyplanner.tfl.
Please allow time for possible transport delays and for finding your way around the campus.
For any further details contact j.gilbert@uel.ac.uk
8th June, Hay-on-Wye: 'Roll Over Beethoven' Panel Discussion at How the Light Gets in 2012
2:30pm
Gabriel Prokofiev, Adam Harper, Raffertie, James Conway. Katie Derham chairs.
Contemporary music is undergoing a revolution, with DJs writing concertos and new technologies changing the face, and place, of the orchestra. Is classical music at risk of losing its identity, or are we seeing the rise of a new musical space?
Radio 3's Katie Derham invites composer and record producer Gabriel Prokofiev, English Touring Opera director James Conway, producer Raffertie and radical music theorist Adam Harper to explore the potential for new musical form.
Book tickets to this event and browse the other events at this philosophy and music festival here.
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