Thought I'd try writing something for Dummy on certain echoes of the 90s in underground pop in the past year, looking at Autre Ne Veut, d'Eon, How to Dress Well, Inc., Washed Out, LA Vampires goes Ital and James Ferraro (as well as what chillwave and hypnagogic pop are up to) and mulling over whether it all constitutes a revival or not. Click below to read:
incredible article, thank you a lot. i just dont quite see why you leave out the rather obivous "Post-R&B" Acts- The Weeknd, and, Hudson Mohawke. Dont get me wrong, your blog is for me the most valuable place in the whole web, no irony here.
Hi Sven, thanks very much for reading! Really good point on The Weeknd and HudMo. I was thinking of mentioning The Weeknd in connection with How to Dress Well, actually. I haven't come across the term 'post-R&B', but would consider The Weeknd and HudMo to be contemporary (maybe even 'modern') R&B rather than a retro-flavoured R&B that looks back to the 90s. The other thing was that the focus of the article was North-American underground indie pop, whereas HudMo is in the dance / electronica world, and The Weeknd could plug straight into the mainstream, were it not for the dark tinge. The 90s is creeping back all the time in dance music, for example, but that's a whole nother can of worms.
incredible article, thank you a lot.
ReplyDeletei just dont quite see why you leave out the rather obivous "Post-R&B" Acts- The Weeknd, and, Hudson Mohawke.
Dont get me wrong, your blog is for me the most valuable place in the whole web, no irony here.
Hi Sven, thanks very much for reading! Really good point on The Weeknd and HudMo. I was thinking of mentioning The Weeknd in connection with How to Dress Well, actually. I haven't come across the term 'post-R&B', but would consider The Weeknd and HudMo to be contemporary (maybe even 'modern') R&B rather than a retro-flavoured R&B that looks back to the 90s. The other thing was that the focus of the article was North-American underground indie pop, whereas HudMo is in the dance / electronica world, and The Weeknd could plug straight into the mainstream, were it not for the dark tinge. The 90s is creeping back all the time in dance music, for example, but that's a whole nother can of worms.
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